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Occasional Broadcaster. Somewhere between Jennifer Eccles and King Midas In Reverse."},"link":[{"rel":"http://schemas.google.com/g/2005#feed","type":"application/atom+xml","href":"http:\/\/timworthington.blogspot.com\/feeds\/posts\/default"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/-\/radio+3?alt=json-in-script\u0026max-results=4"},{"rel":"alternate","type":"text/html","href":"http:\/\/timworthington.blogspot.com\/search\/label\/radio%203"},{"rel":"hub","href":"http://pubsubhubbub.appspot.com/"}],"author":[{"name":{"$t":"Tim Worthington"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05135653945070797299"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEir5WSawHwPXHWPXucWVdkl7vIrEHsadrppC7m0BjltungMuHppwnepv4Jh4wi-tGMTLbBQGQB6-3TOtIkpTSTHTt_Id7vQi5UIHl9P6E3CcW3t9Q3qhryOKtauUSPXMUY\/s113\/profilebackup.jpg"}}],"generator":{"version":"7.00","uri":"http://www.blogger.com","$t":"Blogger"},"openSearch$totalResults":{"$t":"3"},"openSearch$startIndex":{"$t":"1"},"openSearch$itemsPerPage":{"$t":"4"},"entry":[{"id":{"$t":"tag:blogger.com,1999:blog-1900616647854839749.post-7638963184450865353"},"published":{"$t":"2019-04-08T17:01:00.000+01:00"},"updated":{"$t":"2019-04-24T14:49:00.094+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"armando iannucci"},{"scheme":"http://www.blogger.com/atom/ns#","term":"bbc radiophonic workshop"},{"scheme":"http://www.blogger.com/atom/ns#","term":"chris morris"},{"scheme":"http://www.blogger.com/atom/ns#","term":"peter cook"},{"scheme":"http://www.blogger.com/atom/ns#","term":"radio 3"},{"scheme":"http://www.blogger.com/atom/ns#","term":"radio that time forgot"},{"scheme":"http://www.blogger.com/atom/ns#","term":"the beatles"}],"title":{"type":"text","$t":"The Larks Ascending"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjUYtiax-gbnrxzSeou5I2UdnQHmm6Cfz7IEDqUj8n_5GxNLIhPuX3n8aZj2WSit13u_OEoZwPWAedCjX-5rnUBpRln0WdTRgZQ0fj32WDWccgqVByMojop-LkCvDqpEU0_PtWBVNayH2HP\/s1600\/larksfc-1.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1061\" data-original-width=\"723\" height=\"640\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjUYtiax-gbnrxzSeou5I2UdnQHmm6Cfz7IEDqUj8n_5GxNLIhPuX3n8aZj2WSit13u_OEoZwPWAedCjX-5rnUBpRln0WdTRgZQ0fj32WDWccgqVByMojop-LkCvDqpEU0_PtWBVNayH2HP\/s640\/larksfc-1.png\" width=\"435\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EThe Larks Ascending\u003C\/b\u003E is a complete guide to comedy, humour and downright oddness on BBC Radio 3, from Kenneth Williams’ archival documentaries about strolling players who never existed, through Rowan Atkinson’s academic profiles of public figures who never existed, right up to Armando Iannucci’s interval talks about composers who did exist, but they’re fitting around him and his using his ears whether they like it or not.\n\nThere’s Chris Morris interviewing Peter Cook (and getting in trouble), BBC Radiophonic Workshop hi-jinks, the first ever proper staging of Joe Orton’s unused film script for The Beatles, some sitcoms that definitely wouldn’t appeal to viewers waiting for Coronation Street, satire, silliness, and a couple of plays about cricket. And if that’s just not highbrow enough for you, then you could always enrol at The Half-Open University…\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nFeaturing in-depth looks at little-known and little-heard works by Peter Cook, Sue Townsend, Ivor Cutler, Kenneth Williams, N.F. Simpson, Peter Tinniswood, Chris Morris, Armando Iannucci, Malcolm Bradbury, John Sessions, Joe Orton, David Renwick And Andrew Marshall, Rowan Atkinson, Toby Hadoke, The National Theatre Of Brent, The BBC Radiophonic Workshop and more, \u003Cb\u003EThe Larks Ascending\u003C\/b\u003E is the full history of silliness and satire on the channel that Dr. Hans Keller called a 'daytime music station'. Priced at just a few pence*!\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n(*Please direct all complaints about actual price to Peter Weevil and John Throgmorton, Polyphonica Neasdeniensis)\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Ch2 style=\"text-align: center;\"\u003E\n\u003Ca href=\"http:\/\/www.lulu.com\/shop\/tim-worthington\/the-larks-ascending-a-guide-to-comedy-on-bbc-radio-3\/paperback\/product-24047716.html\" rel=\"noopener\" target=\"_blank\"\u003E\u003Cb\u003EPaperback\u003C\/b\u003E\u003C\/a\u003E - \u003Cb\u003E\u003Ca href=\"https:\/\/www.amazon.co.uk\/dp\/B07Q73NBVZ\" rel=\"noopener\" target=\"_blank\"\u003EKindle\u003C\/a\u003E\u003C\/b\u003E\u003C\/h2\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nYou can hear me talking about the book and some of the shows featured in it here:\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Ciframe frameborder=\"0\" height=\"200px\" scrolling=\"no\" seamless=\"\" src=\"https:\/\/embed.simplecast.com\/2156002a?color=f5f5f5\" width=\"100%\"\u003E\u003C\/iframe\u003E\n\n\u003Cbr \/\u003E\n\u003Cdiv style=\"text-align: right;\"\u003E\n\u003Cbr \/\u003E\u003C\/div\u003E\n"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/7638963184450865353"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/7638963184450865353"},{"rel":"alternate","type":"text/html","href":"http:\/\/timworthington.blogspot.com\/2019\/04\/the-larks-ascending.html","title":"The Larks Ascending"}],"author":[{"name":{"$t":"Tim Worthington"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05135653945070797299"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEir5WSawHwPXHWPXucWVdkl7vIrEHsadrppC7m0BjltungMuHppwnepv4Jh4wi-tGMTLbBQGQB6-3TOtIkpTSTHTt_Id7vQi5UIHl9P6E3CcW3t9Q3qhryOKtauUSPXMUY\/s113\/profilebackup.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjUYtiax-gbnrxzSeou5I2UdnQHmm6Cfz7IEDqUj8n_5GxNLIhPuX3n8aZj2WSit13u_OEoZwPWAedCjX-5rnUBpRln0WdTRgZQ0fj32WDWccgqVByMojop-LkCvDqpEU0_PtWBVNayH2HP\/s72-c\/larksfc-1.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-1900616647854839749.post-2216778340308170707"},"published":{"$t":"2017-06-06T20:41:00.000+01:00"},"updated":{"$t":"2018-03-17T11:48:49.506+00:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"andrew collins"},{"scheme":"http://www.blogger.com/atom/ns#","term":"chris morris"},{"scheme":"http://www.blogger.com/atom/ns#","term":"david quantick"},{"scheme":"http://www.blogger.com/atom/ns#","term":"kenny everett"},{"scheme":"http://www.blogger.com/atom/ns#","term":"lee \u0026 herring"},{"scheme":"http://www.blogger.com/atom/ns#","term":"mark radcliffe"},{"scheme":"http://www.blogger.com/atom/ns#","term":"orbiter x"},{"scheme":"http://www.blogger.com/atom/ns#","term":"peter cook"},{"scheme":"http://www.blogger.com/atom/ns#","term":"radio 3"},{"scheme":"http://www.blogger.com/atom/ns#","term":"radio that time forgot"},{"scheme":"http://www.blogger.com/atom/ns#","term":"rawlinson end"},{"scheme":"http://www.blogger.com/atom/ns#","term":"stuart maconie"},{"scheme":"http://www.blogger.com/atom/ns#","term":"the mary whitehouse experience"}],"title":{"type":"text","$t":"Twelve Radio Programmes That Need To Be Given A Proper Release"},"content":{"type":"html","$t":"\u003Ci\u003EAmazingly, there are still some well-known - or at least well-regarded - radio programmes that are not available to buy either on CD or as downloads. Here are twelve that I think deserve a wider audience...\u003C\/i\u003E\u003Cb\u003E \u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EThe Psychedelic Spy (BBC Radio 4, 1990)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgWkeZ2mrw5vNzgVZd3vzIBPPikMwya-Ik4nn5d87orlt1lXDRC7ujAfjDkfK_7lg24dT0zvy8r7Ry8sWsB7I0xCQVLpmFOdQ5HdcwIGnTLlHLpkGrTy401v19ehxCmv-BzXGs7olFrDcxg\/s1600\/psychspy.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"285\" data-original-width=\"380\" height=\"300\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgWkeZ2mrw5vNzgVZd3vzIBPPikMwya-Ik4nn5d87orlt1lXDRC7ujAfjDkfK_7lg24dT0zvy8r7Ry8sWsB7I0xCQVLpmFOdQ5HdcwIGnTLlHLpkGrTy401v19ehxCmv-BzXGs7olFrDcxg\/s400\/psychspy.png\" title=\"The Psychedelic Spy (BBC Radio 4, 1990)\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nWriter Andrew Rissik was responsible for this witty, action-packed pastiche of every last military-jacketed secret agent from lurid late sixties pulp paperbacks and equally lurid mind-hurting lava lamp-drenched late sixties post-Bond cinematic knock-offs, following reluctant globetrotting spy Billy Hindle as he wrestles with the end of the sixties - Rissik deliberately set it in 1968 as \u003Ci\u003E\"by then the whole thing had turned sour\"\u003C\/i\u003E - and the constant demands of his superiors to take on 'just one last job'. The impressive cast includes such pop art-hued espionage drama veterans as James Aubrey, Joanna Lumley, Gerald Harper and Ed Bishop. \u003Cb\u003EThe Psychedelic Spy\u003C\/b\u003E occasionally shows up on Radio 4 Extra, but really is crying out for a proper release in suitable pastiche packaging.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EBlack Cinderella Two Goes East, Or Confessions Of A Glass Slipper Tryer-Onner (BBC Radio 2, 1978)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhi-lcnQLBJJP43cV5AtOlFWpLZXpMBEO1u73JI-tPp0Abf5fOUD82fQwxv1_sRpQB83EWuG0n8yQ4o9jqvmIkT7pfn0owLVmno0ZlQ0odvb-Kw4vK5WRwUNpJvI-t1iVdVoP6Pf_8hXM5f\/s1600\/bc2ge.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"892\" data-original-width=\"651\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhi-lcnQLBJJP43cV5AtOlFWpLZXpMBEO1u73JI-tPp0Abf5fOUD82fQwxv1_sRpQB83EWuG0n8yQ4o9jqvmIkT7pfn0owLVmno0ZlQ0odvb-Kw4vK5WRwUNpJvI-t1iVdVoP6Pf_8hXM5f\/s400\/bc2ge.png\" title=\"Peter Cook in Black Cinderella 2 Goes East (BBC Radio 2, 1978)\" width=\"290\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nA decidedly non-family friendly pantomime as the comedy stars of the sixties - Peter Cook, John Cleese, David Hatch, Bill Oddie, Graeme Garden, Tim Brooke-Taylor and Jo Kendall - join forces with their late seventies counterparts Douglas Adams, John Lloyd, Clive Anderson and Rory McGrath for a half-satirical half-silly sendup of standard issue oh-no-he-isn't clichés with a side order of sarcastic comment about rampant strike-mania. Also making slightly more incongruous appearances are wartime radio laughtermaker Richard Murdoch, \u003Cb\u003ERagtime\u003C\/b\u003E presenter Maggie Henderson, and self-mocking real-life Lib Dem MP - for about another five minutes - John Pardoe. The overall effect is essentially an \u003Cb\u003EI'm Sorry I'll Read That Again\u003C\/b\u003E sketch run nightmarishly beyond control, which is every bit as fantastic as that sounds. \u003Cb\u003EBlack Cinderella Two Goes East\u003C\/b\u003E is widely circulated amongst collectors, but otherwise is a noticeable omission from the available works of certain performers whose every last other recorded moment has been repackaged again and again and again.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EThe Chris Morris Music Show (BBC Radio 1, 1994)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjo60QmonOmU-IcAlcTJ_67ZQViV7LyXOgRbUDKVGgAZPCeXM-rbKUtNXSCAudSDtMYTe5zVsK5XsJdFR5KS6C5dIBHkk3Ew-h-aDhQWsxJLD3_ghazKgv12fZ8ZEdFoSVMj91i-Nnmeunc\/s1600\/cmms.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"354\" data-original-width=\"455\" height=\"310\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjo60QmonOmU-IcAlcTJ_67ZQViV7LyXOgRbUDKVGgAZPCeXM-rbKUtNXSCAudSDtMYTe5zVsK5XsJdFR5KS6C5dIBHkk3Ew-h-aDhQWsxJLD3_ghazKgv12fZ8ZEdFoSVMj91i-Nnmeunc\/s400\/cmms.png\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nStill seeing himself as very much a pop radio DJ rather than a television comedian, Chris Morris followed the success of \u003Cb\u003EThe Day Today\u003C\/b\u003E with a high-profile, much-coveted and long-promised slot on Radio 1. What followed can best be described as barely controlled mayhem, with a suspension partway through the run and the show pulled off air shortly before broadcast on more than one occasion; and yet every single second of it was achingly, genuinely side-splittingly funny. And of course you can find the full story of that in my book \u003Cb\u003E\u003Ca href=\"http:\/\/www.lulu.com\/gb\/en\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\" target=\"_blank\"\u003EFun At One - The Story Of Comedy At BBC Radio 1\u003C\/a\u003E\u003C\/b\u003E. From caustic tearing apart of the mechanics of journalism and surreally humiliating celebrity interviews to simply making fun of records he actually \u003Cu\u003Eliked\u003C\/u\u003E, Chris Morris hit Radio 1 like nothing before and arguably nothing after it. Inevitably his reign of terror (or, as he preferred, 'playing records and shouting') didn't last very long - as much because of fresh television offers as any nervousness over the content - but it disappeared as quietly as it arrived loudly; a sole promised BBC Radio Collection compilation, \u003Cb\u003ENewshound From Hell\u003C\/b\u003E, ran into clearance problems and was never released. Possibly the single most important and influential radio comedy show of the nineties, and you can't buy a single second of it.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003ELee \u0026amp; Herring (BBC Radio 1, 1994-95)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi7sys_MGUmkWeCLo7BWIeXh5B0S6XBpwIzaBfm9kr3a3p_9G5qWeZfLK_EZClqnl3p2DPqPD6qh9o-zjEzq44XjDNWGLxz15U-N8GmDL9SgptfnTFZ4aFae1E6m6_IehiXsl9FQxcIIc57\/s1600\/lhtotp.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"424\" data-original-width=\"622\" height=\"272\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi7sys_MGUmkWeCLo7BWIeXh5B0S6XBpwIzaBfm9kr3a3p_9G5qWeZfLK_EZClqnl3p2DPqPD6qh9o-zjEzq44XjDNWGLxz15U-N8GmDL9SgptfnTFZ4aFae1E6m6_IehiXsl9FQxcIIc57\/s400\/lhtotp.png\" title=\"Stewart Lee and Richard Herring presenting Top Of The Pops.\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nWhile not quite as problematic as their old comedy cohort Chris Morris, Stewart Lee and Richard Herring also enjoyed a significantly longer stint as 'proper' Radio 1 DJs, their popularity underlined by their briefly joining the roster of \u003Cb\u003ETop Of The Pops\u003C\/b\u003E presenters. In addition to playing weird and wonderful records that may well have never been heard on any other radio show ever, they also spent their time trying out new comic ideas and encouraging the audience to indulge in situationist pranks such as paying to advertise their show in newsagents' windows; indeed, many of their most famous characters and routines including the lists of ridiculous pun sitcom titles, Ian News, Mr. Kennedy and Mr. Harris and The Fake Rod Hull made their first appearances here. Yet despite the rabidly obsessive nature of their still considerable fanbase, little of the Radio 1 shows has been heard from that day to this. A couple of sketches escaped as extras on the \u003Cb\u003EFist Of Fun\u003C\/b\u003E DVDs, but apart from that, nothing. There's a couple of good compilations in them at least. And I said good compilations, not those rubbish ones Radio 1 did after they left. Incidentally, those compilations are covered along with the actual proper shows in \u003Ca href=\"http:\/\/www.lulu.com\/gb\/en\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\" target=\"_blank\"\u003EFun At One\u003C\/a\u003E...\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003ERoom 101 (BBC Radio 5, 1992-94)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiRmWTsJBXvdDUhzSciKJ30PrArlPUG5t-5d5N4GNegydwZ4bCt_b-_S12hBJh-lJuSZc6kXzyw4vUJPj58jgfzU_3ro4J1wRpaFN5p4Mll1Rr6fZDefbuopknjX9a95JX6KwBd4bPuCTeA\/s1600\/room101.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"306\" data-original-width=\"471\" height=\"258\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiRmWTsJBXvdDUhzSciKJ30PrArlPUG5t-5d5N4GNegydwZ4bCt_b-_S12hBJh-lJuSZc6kXzyw4vUJPj58jgfzU_3ro4J1wRpaFN5p4Mll1Rr6fZDefbuopknjX9a95JX6KwBd4bPuCTeA\/s400\/room101.png\" title=\"Nick Hancock and Danny Baker on Room 101.\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003ERoom 101\u003C\/b\u003E was much better in the early Nick Hancock-presented days, but even better still in its original Nick Hancock-presented radio incarnation. With no audience and on the whole a more interesting selection of guests, they had to rely more on actual reasons and often hilarious anecdotage to get their choices in - and Hancock in turn had to argue harder to keep them out - and it was a far more esoteric and cerebral show than you might understandably expect. A handful of editions were repeated on Radio 1 and later on Radio 4 Extra, but most remain unheard from that day to this; the impressive roster of guests included Paul Merton, Jo Brand, Danny Baker, David Baddiel, Steve Punt, John Walters, Frank Skinner, Trevor And Simon and Donna McPhail. Clip clearance and the sheer number of choices that would prove 'problematic' post-Yewtree probably mean that compilations are the best we'll get, but if you've never heard of O! Punchinello, 'This Train Has Failed' or Golfiana, or indeed heard Danny Baker explaining why he hates Pete Sinfield of King Crimson's solo album so much, you'll probably agree that we need some.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EOrbiter X (BBC Light Programme, 1959)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhPoqrVmbJQg6Ul5xqCnGJl8hHKiL7OI-LJ0449z94U87pEjzRNi33jgNltrqJ22J0Nwv4QuRTgA7Fq8vslilvyjJMsauXgkfEWvE5HcIKZl3-t0LR86eUYxEBvq_M-B-39NWHrfVuPwEFr\/s1600\/orbiter1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"236\" data-original-width=\"300\" height=\"314\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhPoqrVmbJQg6Ul5xqCnGJl8hHKiL7OI-LJ0449z94U87pEjzRNi33jgNltrqJ22J0Nwv4QuRTgA7Fq8vslilvyjJMsauXgkfEWvE5HcIKZl3-t0LR86eUYxEBvq_M-B-39NWHrfVuPwEFr\/s400\/orbiter1.jpg\" title=\"Orbiter X (BBC Light Programme, 1959)\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nYou can read a lot more about this fantastic Cold War-allegorising tale of space station subterfuge \u003Ca href=\"http:\/\/timworthington.blogspot.co.uk\/2016\/04\/orbiter-x.html\"\u003Ehere\u003C\/a\u003E; what's surprising is that despite the enduring popularity of the long-running \u003Cb\u003EJourney Into Space\u003C\/b\u003E, the BBC have never really done very much with the various serials that followed in its wake, such as \u003Cb\u003EOrbiter X\u003C\/b\u003E, \u003Cb\u003EOrbit One Zero\u003C\/b\u003E, \u003Cb\u003EThe Lost Planet\u003C\/b\u003E and \u003Cb\u003ENicholas Quinn - Anonymous\u003C\/b\u003E. They have all spent far too long gathering cosmic dust and it would be nice to see them given the exposure and recognition they deserve. Preferably with booklets featuring rare photos and archive material.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EPatterson (BBC Radio 3, 1981)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEixmZZ-oFbvFI1aFxLP1fe2OGHWUQcVzpOVLlhEr-YXVJzsTsnWvJa_dDnsqybSiUkwfkUC-QO7tkxIVbyiFQ2QZbi8lK75yEyX5zn_WlFfUFdbiB3ZJo7PmxsLlPPM0RnhzOmDR7nl7J_3\/s1600\/8_pxJOa5.jpg+large.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"1564\" data-original-width=\"1024\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEixmZZ-oFbvFI1aFxLP1fe2OGHWUQcVzpOVLlhEr-YXVJzsTsnWvJa_dDnsqybSiUkwfkUC-QO7tkxIVbyiFQ2QZbi8lK75yEyX5zn_WlFfUFdbiB3ZJo7PmxsLlPPM0RnhzOmDR7nl7J_3\/s400\/8_pxJOa5.jpg+large.jpg\" title=\"Patterson (BBC Radio 3, 1981)\" width=\"261\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nRadio 3 went through a very odd phase of trying to score a hit highbrow sitcom in the eighties, including such angular and intellectual takes on the genre as \u003Cb\u003ESuch Rotten Luck\u003C\/b\u003E and \u003Cb\u003EBlood And Bruises\u003C\/b\u003E; the closest they came to scoring an actual success with audiences and critics alike was with the genuinely brilliant \u003Cb\u003EPatterson\u003C\/b\u003E. Written by Malcolm Bradbury and Christopher Bigsby - not exactly your average sitcom scriptwriter pairing - the series was a loose thematic follow-on from the former's celebrated novel \u003Cb\u003EThe History Man\u003C\/b\u003E, and followed hapless University lecturer Andrew Patterson through a chain of absurdist happenings on campus; as you are probably imagining, it does bear some strong - though apparently genuinely coincidental - similarities to \u003Cb\u003EA Very Peculiar Practice\u003C\/b\u003E. Repeated once by Radio 2 in a new Radio 2-friendly re-edit, it still inspires a significant online following, which makes its failure to resurface all the more like Prof. Misty has been put in charge of remembering it.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EThe Mary Whitehouse Experience (BBC Radio 1, 1989-90)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg0VZqicbr7NY2TqFXSdY4fprzxmreGbkebjwbJWSwMQyvc3djWc-GuK-0X4pTfY0EmYIFVsbqkZCUCMgQAGKj_4hl6WY5R9Ki6qlQBDIQz7zuWbf-YRoFIIJxXhPoOjtNbY_723mOwOYAf\/s1600\/mwegroup.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"675\" data-original-width=\"1200\" height=\"225\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg0VZqicbr7NY2TqFXSdY4fprzxmreGbkebjwbJWSwMQyvc3djWc-GuK-0X4pTfY0EmYIFVsbqkZCUCMgQAGKj_4hl6WY5R9Ki6qlQBDIQz7zuWbf-YRoFIIJxXhPoOjtNbY_723mOwOYAf\/s400\/mwegroup.jpg\" title=\"The Mary Whitehouse Experience (BBC Radio 1, 1989-90)\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nStaggeringly, apart from \u003Cb\u003EThe Mary Whitehouse Experience Encyclopedia\u003C\/b\u003E and a couple of bits on individual live videos (oh, and \u003Cb\u003EMinutes Of The Parish Council Meeting\u003C\/b\u003E, if you insist), nothing from \u003Cu\u003Eany\u003C\/u\u003E incarnation of The Mary Whitehouse Experience has ever been made commercially available. This is astonishing when you consider both how popular and influential it was; rumours have long flown around that this was in fact down to one of the team blocking it, but while I was researching \u003Cb\u003E\u003Ca href=\"http:\/\/www.lulu.com\/gb\/en\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\" target=\"_blank\"\u003EFun At One\u003C\/a\u003E\u003C\/b\u003E all four confirmed to me that this wasn't the case (as, for that matter, did Mark Thomas, Jo Brand and one of Skint Video) so we can discount that right now. A couple of people associated with the show indicated that the issue had been raised with BBC Worldwide who felt that it was 'too topical', which if true indicates that nobody working there had ever actually heard any of it. Newman, Baddiel, Punt and Dennis are all still hugely successful - more so than ever in some cases - and enough time has elapsed for the original long-sleeve-t-shirt-sporting listeners to become genuinely nostalgic for it, so why isn't any of it available to buy? Conclusion: Ken Dodd \u003Cu\u003EIs\u003C\/u\u003E Innocent.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003ECollins And Maconie's Hit Parade (BBC Radio 1, 1994-97)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjsCp-IM-qZz14rPD5bKQ9ZNk0jmNgbmopkYQ0LfIKRxayfEI0BqDz7wZoURPbF4FQcqclokhCKB9fECAB4WahxWbqjBMRnBFxdzlrrpPh38IGWEWQdQgxprleJhA94sBj4xRARsO-HZume\/s1600\/hitparade.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"360\" data-original-width=\"640\" height=\"225\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjsCp-IM-qZz14rPD5bKQ9ZNk0jmNgbmopkYQ0LfIKRxayfEI0BqDz7wZoURPbF4FQcqclokhCKB9fECAB4WahxWbqjBMRnBFxdzlrrpPh38IGWEWQdQgxprleJhA94sBj4xRARsO-HZume\/s400\/hitparade.jpg\" title=\"Stuart Maconie and Andrew Collins in Collins And Maconie's Hit Parade (BBC Radio 1, 1994-97)\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nAndrew Collins and Stuart Maconie - and resident weekly 'guest' David Quantick - were Radio 1's in-house acerbic music critics with a proper music show during some very interesting times for pop music, which amongst many highlights saw them delivering arguably the definitive take on the Blur\/Oasis chart battle, and reacting live to Jarvis Cocker's stage invasion at the Brit Awards. There were plenty of discussions worth revisiting, numerous 'guset critics' who have gone on to enjoy greater prominence, and the weekly 'Quantick's World' rants, which as good as deserve an entire release on their own; not that Morrissey or Paul Weller would be too happy about that, mind. There are tons of contributions to other shows worth considering too, including their 'Eyewitness Reports' for \u003Cb\u003EThe Evening Session\u003C\/b\u003E, and the absurd bit of 'walking across the BBC' business they did when guest-hosting the following show. All of which, incidentally, is covered in \u003Ca href=\"http:\/\/www.lulu.com\/gb\/en\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\" target=\"_blank\"\u003Ea certain book\u003C\/a\u003E...\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EThe Graveyard Shift (BBC Radio 1, 1993-97)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhA2mLw3-9ha-NUGVH4mOE5KugSwdOOjvw74qkyWYStveNDgQfgqoSlP-fzWrvnFD8Jz-H6_IilnyZIXow9iVL85GPjciKf1PFxJDkZLnCoY1uMUe01mhvhdOOr5f6GUEl0N3DuScfQlzAU\/s1600\/Radcliffe-Riley.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"290\" data-original-width=\"350\" height=\"331\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhA2mLw3-9ha-NUGVH4mOE5KugSwdOOjvw74qkyWYStveNDgQfgqoSlP-fzWrvnFD8Jz-H6_IilnyZIXow9iVL85GPjciKf1PFxJDkZLnCoY1uMUe01mhvhdOOr5f6GUEl0N3DuScfQlzAU\/s400\/Radcliffe-Riley.jpg\" title=\"Mark Radcliffe and Marc Riley on The Graveyard Shift (BBC Radio 1, 1993-97)\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nIf one show exemplified Radio 1's superb and much-needed early nineties reinvention, it was the late-night shenanigans of Mark Radcliffe, Marc Riley and their various friends, wellwishers and hangers-on. Promising \u003Ci\u003E\"poetry, comedy, live music and a boy called Lard\"\u003C\/i\u003E, it delivered all of this and more, day in day out, with the playlist of promising indie singles - effectively an unofficial testing ground for what might work on daytime radio, and a few major mid-nineties hits got their first play here - interspersed with lengthy and freewheeling chats on any given subject from whether \u003Cb\u003ELady Chatterley's Lover\u003C\/b\u003E needed 'spicing up' to an argument over what prog rock track was used as the theme music for \u003Cb\u003EWeekend World\u003C\/b\u003E, with interjections from comedians and critics, notably Andrew Collins' diary readings, Stuart Maconie's 'veritable smorgasbord', Mark Kermode's Cult Film Corner and John Shuttleworth's rambling updates on his promising musical career. Oh and not forgetting 'Slippers, Please!'. Just imagine if there was \u003Ca href=\"http:\/\/www.lulu.com\/gb\/en\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\" target=\"_blank\"\u003Ea book covering all of this\u003C\/a\u003E. A CD compilation of some of the regular sketches was released at the time, but we really could do with something more representative of the shu-, which after all was always full of loads of quality items. And him, Boy Lard.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003EKremmen Of The Star Corps (Capital Radio, 1976-80)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhUqdmg_qRhhzyFQ1Psvsn8SRpQhWUz-rFBAYZ2JGBGRcGwP5wx2CQPDkqE7Xh2Z47z9e1tCjAFxaAOzfcinvu0kuLbmSc2G2lZdVmr91GVzf9fuRLjDL3KvK3JL4gTwFd_Y1DkeCKScRrO\/s1600\/kremmenga.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"500\" data-original-width=\"500\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhUqdmg_qRhhzyFQ1Psvsn8SRpQhWUz-rFBAYZ2JGBGRcGwP5wx2CQPDkqE7Xh2Z47z9e1tCjAFxaAOzfcinvu0kuLbmSc2G2lZdVmr91GVzf9fuRLjDL3KvK3JL4gTwFd_Y1DkeCKScRrO\/s400\/kremmenga.jpg\" title=\"Captain Kremmen - The Greatest Adventure Yet by Kenny Everett\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nOne of the few commercial radio shows that would ever warrant a commercial release, Kenny Everett recorded dozens upon dozens of episodes of tongue-in-cheek cliffhanging sci-fi serial adventures of Captain Elvis Brandenburg Kremmen for Capital Radio during the seventies, some of which were later adapted for the animated version in his ITV sketch show. In fact, Captain Kremmen was just one of several ideas Everett developed for a London-only audience that ended up attracting national attention, which just serves to underline what a true one-off genius he was. One full story was released as the \u003Cb\u003EThe Greatest Adventure Yet From Captain Kremmen\u003C\/b\u003E LP in 1979, and a couple of others escaped on Capital promo singles and prize giveaways, but surprisingly nobody seems to have thought of stringing the rest of them together in box set form yet. The Thargoids have probably drained the idea from our collective intelligence.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cb\u003ERawlinson End (BBC Radio 1, 1971-91)\u003C\/b\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhHtLxxeZfNbffEuxuUCLKme3rXk6woziI9U1NB7gcjCYYf9iLknmo7RTtTdpzyUaXZ3vPKsER84gSh04vanvUKeOeFTHxcXLC6Cg6blB6lY_N6oYoH-faEM8Yf4Ba3U1lwPJZBYKmr99s9\/s1600\/vivrawl.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"382\" data-original-width=\"596\" height=\"256\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhHtLxxeZfNbffEuxuUCLKme3rXk6woziI9U1NB7gcjCYYf9iLknmo7RTtTdpzyUaXZ3vPKsER84gSh04vanvUKeOeFTHxcXLC6Cg6blB6lY_N6oYoH-faEM8Yf4Ba3U1lwPJZBYKmr99s9\/s400\/vivrawl.png\" title=\"Vivian Stanshall\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nEnglish as tuppence, changing and changeless as canal water, nestling in green nowhere, Viv Stanshall's tales of life - or at least what passed for it - in and around Rawlinson End were one of the most popular features of John Peel's show, and used to provoke a flood of calls and letters asking if they were available to buy. And yet, one single album of rearranged and rerecorded early episodes aside, they never have been. The original unexpurgated exploits of Sir Henry, Aunt Florrie and unwilling company should be held up as a triumph of the language to rank with Dickens, Wodehouse and Adams, but instead they are just sort of sat on a shelf somewhere like disregarded souvenirs from military service in some far flung corner of the Empire. Perfectly in keeping with Rawlinson End itself, maybe, but an entirely ridiculous situation. Mrs. E, we do know what we want and we want it now! And if you want to know more? \u003Ca href=\"http:\/\/www.lulu.com\/gb\/en\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\" target=\"_blank\"\u003ENow read on, dot dot dot dot dot\u003C\/a\u003E...\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Chr style=\"background: rgb(127, 0, 0); color: #7f0000; height: 2px; width: 90%;\" \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgaYZrOd7DFmrQPkvEkCFwX7mdaoBS3TLOEJ1jNR8njPvRFHCqoq2Gvy8DwrMTpnwFnM_9N32EM3Ff_fXq44OIO7AFdYv6XiPlYS95NNbEl3REtyc_3jibIRboJtHlP7n6HK1fiJdiTRXsA\/s1600\/funatonecover-copy.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg alt=\"\" border=\"0\" data-original-height=\"815\" data-original-width=\"540\" height=\"200\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgaYZrOd7DFmrQPkvEkCFwX7mdaoBS3TLOEJ1jNR8njPvRFHCqoq2Gvy8DwrMTpnwFnM_9N32EM3Ff_fXq44OIO7AFdYv6XiPlYS95NNbEl3REtyc_3jibIRboJtHlP7n6HK1fiJdiTRXsA\/s200\/funatonecover-copy.jpg\" title=\"Fun At One - The Story Of Comedy At BBC Radio 1 by Tim Worthington\" width=\"132\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Ci\u003EAnd while we're all waiting, you can read more about Rawlinson End, Kenny Everett, Lee And Herring, Chris Morris, The Graveyard Shift and Collins And Maconie in \u003Cb\u003EFun At One - The Story Of Comedy At BBC Radio 1\u003C\/b\u003E, available in paperback \u003Ca href=\"http:\/\/www.lulu.com\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\"\u003Ehere\u003C\/a\u003E or from the Kindle Store \u003Ca href=\"https:\/\/www.amazon.co.uk\/Fun-At-One-Story-Comedy-ebook\/dp\/B01N8ST07J\/\"\u003Ehere\u003C\/a\u003E.\u003C\/i\u003E\n"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/2216778340308170707"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/2216778340308170707"},{"rel":"alternate","type":"text/html","href":"http:\/\/timworthington.blogspot.com\/2017\/06\/twelve-radio-programmes-that-need-to-be.html","title":"Twelve Radio Programmes That Need To Be Given A Proper Release"}],"author":[{"name":{"$t":"Tim Worthington"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05135653945070797299"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEir5WSawHwPXHWPXucWVdkl7vIrEHsadrppC7m0BjltungMuHppwnepv4Jh4wi-tGMTLbBQGQB6-3TOtIkpTSTHTt_Id7vQi5UIHl9P6E3CcW3t9Q3qhryOKtauUSPXMUY\/s113\/profilebackup.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgWkeZ2mrw5vNzgVZd3vzIBPPikMwya-Ik4nn5d87orlt1lXDRC7ujAfjDkfK_7lg24dT0zvy8r7Ry8sWsB7I0xCQVLpmFOdQ5HdcwIGnTLlHLpkGrTy401v19ehxCmv-BzXGs7olFrDcxg\/s72-c\/psychspy.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-1900616647854839749.post-928371062716471537"},"published":{"$t":"2016-09-29T19:33:00.002+01:00"},"updated":{"$t":"2017-06-14T09:46:57.950+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"books"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fun at one"},{"scheme":"http://www.blogger.com/atom/ns#","term":"radio 3"},{"scheme":"http://www.blogger.com/atom/ns#","term":"radio that time forgot"},{"scheme":"http://www.blogger.com/atom/ns#","term":"third programme"}],"title":{"type":"text","$t":"A Third Opinion"},"content":{"type":"html","$t":"\u003Ci\u003EThis look at comedy on BBC Radio 3 and its predecessor the Third Programme was originally written as the introduction for an intended follow-up to \u003Cb\u003E\u003Ca href=\"http:\/\/timworthington.blogspot.co.uk\/2015\/07\/fun-at-one-story-of-comedy-at-bbc-radio.html\" target=\"_blank\"\u003EFun At One\u003C\/a\u003E\u003C\/b\u003E concentrating on Radio 3 comedy programmes. Yes there were some. More than you'd expect, in fact. For various reasons this was never finished and some bits of it ended up being absorbed into other projects, but in recognition of the Third Programme's seventieth anniversary, here it is...\u003C\/i\u003E\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi4jLTk0Mkb3aXtN-FR3LcfP3DH_EZSgRQdlJRGyv_gBxzUEc75MnKaE78AgEsllx1d8xDB_2GdbT2iKiXltfsATXc773Ze7Kl6PBMBbliczgUUdBeHix89o_m7JO5Dm1DMhb2jpa0Nlpz3\/s1600\/third1.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"225\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi4jLTk0Mkb3aXtN-FR3LcfP3DH_EZSgRQdlJRGyv_gBxzUEc75MnKaE78AgEsllx1d8xDB_2GdbT2iKiXltfsATXc773Ze7Kl6PBMBbliczgUUdBeHix89o_m7JO5Dm1DMhb2jpa0Nlpz3\/s400\/third1.png\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nOn 10th June 1969, the jazz-rock outfit Soft Machine were in the BBC’s Maida Vale studios to record a session for \u003Cb\u003ETop Gear\u003C\/b\u003E, the popular ‘progressive’ show on BBC Radio 1 presented by John Peel, which had been enthusiastically supporting the band since the station’s launch in 1967. Broadcast on 15th June, the session showcased several lengthy numbers intended for their forthcoming album Third, including one entitled \u003Cb\u003EMoon In June\u003C\/b\u003E. Drummer and vocalist Robert Wyatt had already tried out several potential lyrics for this number but had rejected them all as unsatisfactory, and found himself at the session with literally no words to sing. Possibly inspired by the more irreverent and humourous atmosphere encouraged by Peel’s incoming producer John Walters – himself later a regular broadcaster for Radio 3 – Wyatt improvised amusing lyrics about the experience of recording sessions at the BBC, mixing tongue-in-cheek references to the tea machine and other facilities at Maida Vale with recollections of how, on their first appearance on the station, they had been forced to ensure all of their numbers clocked in at under three minutes. Now, however, as Wyatt memorably put it, they were \u003Ci\u003E\"free to play for as long or as loud as a jazz group or an orchestra on Radio 3\"\u003C\/i\u003E.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nFollowing an extract being played on Radio 4’s cross-station highlights show \u003Cb\u003EPick Of The Week\u003C\/b\u003E, which caused much amusement within Radio 3’s corridors, the upshot of this extraordinary performance – one of the first recordings for Peel’s show ever to be commercially released  – was that on 13th August 1970, Soft Machine were invited to take part in Radio 3’s coverage of the BBC Proms, sharing the bill with the unlikely combination of The BBC Symphony Orchestra and electronic music pioneer Tim Souster, treating the station’s eclectically-minded audience to numbers with such obtuse titles as \u003Cb\u003EEsther’s Nose Job\u003C\/b\u003E and \u003Cb\u003EOut-Bloody-Rageous\u003C\/b\u003E.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nAs humourous as Wyatt’s lyrics may have been, the session recording of Moon In June was very much a serious musical performance, yet the band’s appearance on Radio 3 the following year clearly demonstrates that even in those early days, despite popular perception, the station had both a sense of humour and a willingness to showcase interesting developments in the arts outside of the classical sector. This was, in fact, nothing new – launched on 30th September 1967, Radio 3 was intended as a successor to the existing Third Programme, a notably more speech-orientated BBC radio station devoted to the arts, science and intellectual pursuits, although for a variety of technical and administrative reasons the Third Programme would continue to exist as a standalone service, broadcasting mainly in the evenings, up until finally being subsumed into the more music dominated Radio 3 in April 1970. Despite its lofty reputation, the Third Programme did possess a sense of humour, albeit possibly not one that radio listeners more used to the exploits of Jimmy Clitheroe or Ted Ray might have recognised as such. Indeed, its first night of programming on 29th September 1946 had seen actress Joyce Grenfell deliver one of her celebrated spoof documentaries, \u003Cb\u003EHow To Listen\u003C\/b\u003E (\u003Ci\u003E\"including How Not To, How You Ought To and How You Won’t\"\u003C\/i\u003E), which poked fun at the reverence with which audiences were supposed to treat ‘serious’ radio.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjaxsS0ptOaxIoj5kQ_Gto5OKdWLTsZ43PnUUYUoeCcOkOTX6Mj6DLVZrK2OPyAN5vlV-MUM131EvYlyLBHe3n6jzuM9A7tdCsvBOumtC9K5ux5og7AkGI11ukkEMOzw6X0XjHlh7kgYSPD\/s1600\/howtolisten.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"267\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjaxsS0ptOaxIoj5kQ_Gto5OKdWLTsZ43PnUUYUoeCcOkOTX6Mj6DLVZrK2OPyAN5vlV-MUM131EvYlyLBHe3n6jzuM9A7tdCsvBOumtC9K5ux5og7AkGI11ukkEMOzw6X0XjHlh7kgYSPD\/s400\/howtolisten.png\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\nAs early as 1949, there was an attempt at establishing a regular comedy show with \u003Cb\u003EThird Division\u003C\/b\u003E, a sketch show described as ‘Some Vulgar Fractions’ and featuring the likes of Benny Hill, Peter Sellers, Michael Bentine, Patricia Hayes and Harry Secombe, with sketch material by Frank Muir and Denis Norden, which poked fun at the station’s cultural and academic obsessions in a manner that did not always please BBC executives. The station’s tenth anniversary in 1957 was marked with \u003Cb\u003EIn T\u003C\/b\u003E\u003Cb\u003Ehird Gear: A Homage To Their Betters\u003C\/b\u003E, a satirical one-off in which Peter Ustinov and Peter Jones delivered a mock ‘Behind The Scenes’ feature on the Third Programme, which pulled even fewer punches, and a series of spoof diary readings by 'Mrs Cramp' (Patience Collier), written by Angus Wilson and Christopher Sykes as a literary send-up of The Light Programme’s \u003Cb\u003EMrs Dale’s Diary\u003C\/b\u003E, a reference point which was presumably lost on most of the Third Programme’s audience. Tom Stoppard produced many of his early comic plays for the station, notably \u003Cb\u003EIf You’re Glad I’ll Be Frank\u003C\/b\u003E (1966), featuring Timothy West as a man who recognises the speaking clock (Patsy Rowlands) as the voice of his wife, and the somewhat darker \u003Cb\u003EAlbert’s Bridge\u003C\/b\u003E (1967), while the mercurial talent Gerard Hoffnung made a number of appearances on the station both as a musician and a humourist. Most famously, between 1953 and 1959, Henry Reed penned a total of seven plays about ‘Hilda Tablet’, a wild and frequently surreal parody of modern classical composers, starring Mary O’Farrell as inventor of ‘musique concrete reinforcee’ Hilda, and Hugh Burden as the put-upon narrator.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nMore peculiar still was a 1963 hoax perpetrated by Hans Keller, the Third Programme’s resident music critic, whose fearsome intellect and waspish observations masked a genuine enthusiasm for elements of ‘low’ culture, notably his passionate love of Tottenham Hotspur, and a mischievous sense of humour coupled with a love of annoying the pompous and self-important . Having concocted a random and meaningless cacophony of percussion noises, Keller worked up a fictitious life story for the equally fictitious composer Piotr Zak, presenting it as a factual documentary as part of one of the station’s ‘Invitation Concerts’ on 5th June 1961. Despite some deliberately unrealistic elements in the story, many were taken in, some critics penning dismissive reviews of his work and others feigning a detailed knowledge of his career. Keller’s savage wit would later provide a fitting coda to the saga of the Third Programme, when he described the incoming Radio 3 with tongue very much in cheek as a ‘daytime music station’.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nThis sort of highbrow humour would even carry through into much of Radio 3’s regular output. For many years, the regular Jazz Record Requests slot inherited from the Third Programme was presented by Humphrey Lyttleton, a bandleader with a droll wit and chairman of the Radio 4 panel show \u003Cb\u003EI’m Sorry I Haven’t A Clue\u003C\/b\u003E for over thirty years. The frequently absurdist \u003Cb\u003EPied Piper\u003C\/b\u003E (1971-76), a children’s show aimed at raising awareness of music, was presented by David Munrow, a firebrand of an early music enthusiast whose refusal to kowtow to ideas of classicism once saw him record a collection of Beatles covers on archaic instruments. Many at least nominally comic plays have been broadcast on the station, while the sporadic humorous content of review shows like \u003Cb\u003EThe Verb\u003C\/b\u003E, \u003Cb\u003ELate Junction\u003C\/b\u003E, \u003Cb\u003EThe Wire\u003C\/b\u003E, \u003Cb\u003ENight Waves\u003C\/b\u003E and \u003Cb\u003EIn Tune\u003C\/b\u003E would defy cataloguing. For a time the station was also home to the famously dry-witted Andy Kershaw, whose Radio 1 show was effectively airlifted onto Radio 3 when he was dropped from their schedules.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\nAlthough they have been few and far between, Radio 3 has even made the occasional attempt at establishing its own dedicated comedy show. While the station’s relatively small listenership has largely prevented any of them becoming well known – and even in some cases from becoming known to the performers’ not inconsiderable fanbases – these have been a surprisingly varied set of projects from surprisingly prominent comics and writers, clearly relishing the opportunity to do something slightly more personal and experimental than they would be able to on practically any other radio or television station. This is the story of that handful of quite remarkable shows, and – almost like a statement of intent – it begins with perhaps the least likely comedian ever to appear on Radio 3.\u003Cbr \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiKj_T80JYzNj4DUBn1bZ4U2I8ieDgAOeKL5kaj0TTj8dFAAFQMrQC0ig6ORW3xdqZ6RG3ihIqqeYMlCcjbHc2DP1F98jI2aGPe2iazrytMK2GCYQUPBJg4mMBuQ16lcirugDNiZAYIekQm\/s1600\/radio3.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"217\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiKj_T80JYzNj4DUBn1bZ4U2I8ieDgAOeKL5kaj0TTj8dFAAFQMrQC0ig6ORW3xdqZ6RG3ihIqqeYMlCcjbHc2DP1F98jI2aGPe2iazrytMK2GCYQUPBJg4mMBuQ16lcirugDNiZAYIekQm\/s400\/radio3.jpg\" width=\"400\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Cbr \/\u003E\n\u003Chr style=\"background: rgb(127, 0, 0); color: #7f0000; height: 2px; width: 90%;\" \/\u003E\n\u003Cbr \/\u003E\n\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\n\u003Ca href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEixvZUonNbtwlZtd5Eh1IbXLgwyfUX2MWC_EGt8YOS2XQ-4TQ3h9HD8q1072NUiLNBSEQHcYG3gL_kOdiSrBwqs6IoWQBllW16yadY1EswdJ6cxi1X_DEZQdV-hyJVIEGIE4yFHIihLBtEI\/s1600\/funatonecover-copy.jpg\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"815\" data-original-width=\"540\" height=\"200\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEixvZUonNbtwlZtd5Eh1IbXLgwyfUX2MWC_EGt8YOS2XQ-4TQ3h9HD8q1072NUiLNBSEQHcYG3gL_kOdiSrBwqs6IoWQBllW16yadY1EswdJ6cxi1X_DEZQdV-hyJVIEGIE4yFHIihLBtEI\/s200\/funatonecover-copy.jpg\" width=\"132\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\n\u003Ci\u003E\u003Cb\u003EFun At One\u003C\/b\u003E, the story of comedy at BBC Radio 1, is available in paperback \u003Ca href=\"http:\/\/www.lulu.com\/shop\/tim-worthington\/fun-at-one-the-story-of-comedy-at-radio-1\/paperback\/product-20383645.html\"\u003Ehere\u003C\/a\u003E or from the Kindle Store \u003Ca href=\"https:\/\/www.amazon.co.uk\/Fun-At-One-Story-Comedy-ebook\/dp\/B01N8ST07J\/\"\u003Ehere\u003C\/a\u003E.\u003C\/i\u003E"},"link":[{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/928371062716471537"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1900616647854839749\/posts\/default\/928371062716471537"},{"rel":"alternate","type":"text/html","href":"http:\/\/timworthington.blogspot.com\/2016\/09\/a-third-opinion.html","title":"A Third Opinion"}],"author":[{"name":{"$t":"Tim Worthington"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05135653945070797299"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"32","src":"\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEir5WSawHwPXHWPXucWVdkl7vIrEHsadrppC7m0BjltungMuHppwnepv4Jh4wi-tGMTLbBQGQB6-3TOtIkpTSTHTt_Id7vQi5UIHl9P6E3CcW3t9Q3qhryOKtauUSPXMUY\/s113\/profilebackup.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi4jLTk0Mkb3aXtN-FR3LcfP3DH_EZSgRQdlJRGyv_gBxzUEc75MnKaE78AgEsllx1d8xDB_2GdbT2iKiXltfsATXc773Ze7Kl6PBMBbliczgUUdBeHix89o_m7JO5Dm1DMhb2jpa0Nlpz3\/s72-c\/third1.png","height":"72","width":"72"}}]}});