Showing posts with label adverts. Show all posts
Showing posts with label adverts. Show all posts

Looks Unfamiliar #29: Phil Norman - Salvador Dali's Scalextric Set




Looks Unfamiliar 29 - Phil Norman

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to. Joining Tim this time is animator and writer Phil Norman, who’s fairly confident that very few people will recall S-S-S-Single Bed by Fox, terrifying ITV schools show Leapfrog, The Country Life Christmas Box, Humrush by KMD, rock musical drama Body Contact, Oscar The Rabbit In Rubbidge, Erasmus Microman and jaw-dropping Anthony Newley film Can Heironymus Merkin Ever Forget Mercy Humpe And Find True Happiness?. Along the way we’ll also be speculating on what went on in the Chock-A-Block factory, revealing Fred Harris’ secret Video Nasty links, chronicling the rival warring factions of the ‘puppets on a black background’ phenomenon (none of whom were responsible for an Off-The-Peg Ian Paisley), and trying our hardest to avoid talking about a cannibalistic emulsified cross between Last Tango In Paris and Straw Dogs. And if you can help in finding three seconds of Sylvester McCoy being hit with planks of wood, please let us know!

You can get Tim's new book, Can’t Help Thinking About Me, from here.


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You can find more editions of Looks Unfamiliar here.





Looks Unfamiliar is hosted by Podnose.






Support Looks Unfamiliar by buying one of Tim's books! Can't Help Thinking About Me is brand new and features loads of brand new material, and you can get it in paperback here or from the Kindle store here.

Looks Unfamiliar #6: Emma Burnell - Jessica Wakefield Is Jessica Fletcher Writ Large


Looks Unfamiliar 6 - Emma Burnell

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever does. Joining Tim in this episode is broadcaster, columnist and standup comic Emma Burnell, who is banking on somebody else remembering Miners' Strike fundraising album Whose Side Are You On?, the Sweet Valley High novels, short-lived playground craze Scoubidou, children's horror novella The Patchwork Monkey, undistinguished Rutger Hauer vehicle Split Second, and the Ever Ready 'Power To The People' advert. Along the way we'll be discussing the sociocultural ramifications of an earnest man talking to some earnest men, assessing the risks of hiring videos from 'a van', and speculating on the possible psychotropic effects of smoking a Fanta Yo-yo.

DOWNLOAD IT HERE - SUBSCRIBE IN ITUNES - RSS




Looks Unfamiliar is hosted by Podnose.



Support Looks Unfamiliar by buying one of Tim's books! The Camberwick Green Procrastination Society is available in paperback here, from the Kindle Store here, or as a full-colour eBook here. And there's several other books to choose from here...

There's So Much More In TV Times Part 6: I Want REAL Spam Mam!


If you've read the previous instalment of this look back at distasteful, off-colour or just plain baffling space-filling nonsense from the TV Times archive, you'll be aware - or, if you'd rather, forewarned - that there was even more in the way of dubiously chirpy junk food adverts to come. And, well, here are the leftovers, so let's get straight on with them before Bruce Forsyth puts on his oversized comedy chef's hat and tries to fashion them into a recipe...


Before we go any further, remember that Mars advert with Bob Monkhouse pulling a worryingly frenzied face and indulging in way too many words beginning with 'm'? Well, it turns out that none other than Jon Pertwee also contributed to the campaign, though he seems to have swerved the effects that the combination of Milk Chocolate, Buttery Caramel and Chocolate Malted Milk had on poor old Bob, and appears here with an expression that merely suggests he is about to embark on one of his 'million voices' that all sounded the same. Meanwhile, note how careful the advert is to reiterate that the eating of Mars should take place in the mouth.


Speaking of all things bouche-amusing, here Wrigley's give their antisocial wares a plug with the assistance of some sub-Beverley Sisters clean-cut presentable young ladies, taking care to emphasise the somewhat debatable alleged dental care-friendly properties of chewing gum. This is cunningly rendered plausible through the diversionary mention of the even more spurious 'Birchmint' variant, a supposed flavour of which the World Wide Web throws up absolutely no corroborating evidence whatsoever. Note also how the one who was given 'Standard' flavour appears decidedly less happy about this turn of events than the others.


Opinion seems to be divided on whether the average mid-sixties football fan was a rattle-waving toff in an Uncle Sam hat or the 'I Shot J.R.' bloke from Father Ted overstating his Caledonian heritage, but there's one thing we can all be certain of - they never went to a match without an impractically-sized tin of Nuttall's Mintoes to hand. There's also a promise of 'five minutes of extra time' attached to them, which presumably meant something at the time but now just leaves you wondering if said mints could somehow extend the match either spatio-temporally or literally.


In possibly the most direct and to-the-point advertising campaign ever, the not exactly unmurderous-looking 'Mr Pontelli' plugs the mints that share his name simply by demanding 'BUY SOME TODAY'. A gambit that clearly paid off as we're all always racing off down the corner shop to stock up on Pontelli Mints even today. Mr. Pontelli also advises us to 'Watch out for me on ITV', presumably in reference to his continually making random unscheduled appearances in Saturday Night At The London Palladium and Gideon's Way.


On a slightly less minty theme, this giant talking joint at least has the decency simply to ask us to 'enjoy' Bensons Oranges & Lemons. Wonder which one of them made you larger and which one made you small?


Meanwhile, the ones that mother gave you didn't do anything at all, which is presumably why this inexplicably Wild West-fixated youngster is demanding real Spam from his mam, as opposed to all that fake Spam they're always trying to palm off on us. In fact it goes as far as to confirm that genuine Spam can only be bought in a 12oz can, so keep an eye out for those crafty imitators. Meanwhile, quite why his mother is standing in the exact same pose as a Subbuteo goalkeeper is not specified.


Afterwards, why not wash your genuine Spam down with a nice bowl of Wall's Strawberry Fayre, a Battenberg-esque ice cream treat that is essentially just Neapolitan without the cumbersome inconvenience of chocolate. To be, boom boom, 'fayre', it does actually look quite nice, and the 'New as square strawberries' tagline is one that holds up as true even now. Though 'Not invented yet and never likely to be' would be more technically accurate.


Parents should also apparently take note that not only do children 'love' Weetabix (no, they really do), but it's also 'wholewheatedly' good for them, and 'packed with goodness from end to end right to the very end' - assurances that make it sound like a nice healthy alternative and, crucially, do not stand up to any kind of actionable legal scrutiny whatsoever. Steve Davis seems perfectly happy to endorse this standpoint, mind.


Years before somehow inexplicably managing to become the preferred option to Fanta, Tango offer an all expenses paid round-the-world trip to anyone who can identify which countries these none-more-sixties illustrations are sporting the patronisingly stereotypical national clobber of, and - more importantly - buy some more cans of Tango. The genius of that ad campaign was clearly still some distance from their grasp. No, not the one you're thinking of. The one just before that with the two kids in Miami Vice-inspired getup with Felix Howard haircuts playing pinball to the sound of Apache. Because that was better. Yes it was. Shut up. You should bloody well know when you've been Tangoed.


It's surprising that it's taken us this long to get round to a mention of Spangles, the much-'remembered' multi-flavoured boiled sweet that was frankly nice enough to warrant all that nostalgising and yah boo sucks to anyone who used to leave them until last in their Selection Box. First up is an actual entry form for the competition based on the question-mark denoted 'mystery' flavour, the identity of which was apparently never actually revealed, though that didn't stop, erm, someone from co-opting the iconography into the logo for a certain podcast. This is followed by some witty inter-Mod japesmithery on the subject of whether the pixie-cutted pillion passenger has neglected to stock up on something that, if not a suitable all-night-dance-facilitating legal stand-in for Purple Hearts, is apparently even more essential to the smooth operation of a moped than petrol. In fact, you could almost say she's forgotten to remember Spangles. As you were.


And finally, here's Zing, the bar that has 'everything'. Presumably on a planet composed entirely of chocolate and biscuit and nothing else.


Not that she has anything to do with any of the above either, but it would take too long to explain exactly why Diana Dors was being disclaimered as having 'nothing to do with geography', though doubtless the pre-Alternative Comedy funnymen could have come up with a billion hilarious 'reasons' within seconds. Anyway, join us again next time, when we'll be taking a look at some of the ways in which ITV conspired to convince viewers that they weren't watching enough television...



If you've enjoyed this article, you can find lots more about stuff you just don't see on television any more in Not On Your Telly, which is available in paperback here or from the Kindle Store here.

TV Tea

It's not normally the done thing around here to just post a load of photos with very little context or explanation, as, frankly, we're more about Buzzfax than Buzzfeed. But just recently I've come across this frankly bizarre running ad campaign in some old issues Radio Times, and I thought that it deserved a bit of a wider audience.

It's one of those ads for a generic product rather than an individual brand of the sort that you don't really see any more, in this case an attempt by the Tea Marketing Board to extend their 'Join The Tea Set' campaign - once so widely known as a slogan that it was namechecked in a single by mod/psych band The Eyes - to anyone who'd plonked themselves down in front of the telly for a good old watch of Quick Before They Catch Us. What's more, on at least one occasion, it explicitly references the BBC as the best accompaniment to a quick bit of tannin-slurping.

Quite what link they're trying to make between TV and Tea here is spectacularly unclear. There are some vague hints about how it might help to pass the time while TV 'Clown' and 'Girl' are pissing about for eight million years while you wait for your programme to start, or that drinking it might provide a sufficiently tranquilising dosage to prevent you from becoming too scandalised by the latest taboo-challenging instalment of The Wednesday Play, but in all honesty you could equally have placed an advert about how whiskey in general will enhance your ability to figure out what in the name of superfluous full stops was going on in the average episode of R.3. Or, as some wag is no doubt chortling to themselves by now, a sub-Rutles advert for drugs to take so you are all drugs when The Magic Roundabout is drugs on drugs, lol. And anyway, Blur might not have had quite so much success with a song called Tea And TV.

There have of course been many TV shows that tried punning on 'tea' as a titular gambit, from Dee Time and Rich Tea And Sympathy to Teetime And Claudia and Children's ITV's enduring sci-fantasy sitcom T-Bag And The Many Changes Of Title. Then there was of course TTV, which started as an insert in the disastrous early eighties Here Come The Zanies-era Play School reboot with a load of sub-Guy Smiley puppets parodying the recently-launched Breakfast Time, and subsequently inexplicably mutated into a programme in its own right featuring rancid puppet cat Scragtag introducing filmed inserts from on top of a bin. Yeah, so thanks for reminding me of that, Don Draper.

Anyway, here are all of the members of the purported 'Tea-V' set that I've been able to find so far, so why not stick the kettle on, put your feet up, and watch the tel... have yourself a read of some of the fine articles on this here site? You will, you will, you will, you will...


UPDATE! More examples of the ad campaign have now come to light, both of them with a bizarrely unrealistic 'tannins and Telegoons will get you in her pants' vibe...


And finally, as a bit of a bonus, here's a letter to Radio Times about the tea-drinking habits of your Top TV Pals:




You can find a lot more about a lot more obscure and forgotten TV shows in Not On Your Telly, which is available in paperback here or from the Kindle Store here.

1989's Strangest Adverts


The eighties and advertising. They went together like an overlong Spitting Image sketch about blokes in Armani suits shovelling 'sherbet' up their noses.

But by the end of the decade, the writing was on the wall for the writing on the wall, and the 'suits' took the opportunity to let their hair down and indulge in a bit of lateral surrealism. How else can you explain the sudden abundance in late 1989 of quite frankly inexplicable (not to mention spectacularly unsuccessful) small screen campaigns that the sort of people who 'did lunch' would never have countenanced even just a year earlier? Adverts like, for example...



Seemingly resistant to all attempts at 'rebranding', Cadbury's (as was) Dairy Box had always been the poor relation of box-sized chocolate assortments, seldom ever bought except by those rummaging around those odd shelves in newsagents' in search of last-minute presents, and seemingly composed of all those chocolates only otherwise seen when superior boxes had to resort to including that slip stating 'occasionally it may be necessary to replace a sweet with one of equally high quality'. Late in 1989, however, someone made a brave attempt at boosting sales with a television campaign, eschewing the exotic thrills and spills associated with Milk Tray and Turkish Delight in favour of a brief generic glimpse of 'romantic' imagery fading into a close-up of the box itself, overlaid with a single line excerpt from Too Busy Thinking 'Bout My Baby, and nothing else. Doubtless it all cost less to make than an actual box of Dairy Box cost to buy.



It can't exactly have been easy thinking up ways to flog stereo televisions on the basis that stereo transmissions would be coming soon but not just yet, which perhaps explains the exceptional oddness of this Toshiba offering. For some reason, they decided that the ideal marketing gambit would be roping in Vivian Stanshall to record a new version of Terry Keeps His Clips On -hardly an instantly recognisable hum-along chart smash - reworded to proclaim "Stereo will be great, ON MY NEW TOSHIBA, but you'll just have to wait, ON MY NEW TOSHIBA, Nicam Stereo, ON MY NEW TOSHIBA, it's digital don't you know... you don't want hisses and fuzzy-wuzzies crawling up your ears... every note you hear, ON MY NEW TOSHIBA, will sound so jolly clear, ON MY NEW TOSHIBA". This was accompanied by a cartoon man with a television head, turning into the iconic 'cor, telly!' likes of David Bellamy and Brains from Thunderbirds, a programme which it must be pointed out was made entirely in mono.



Access, for the benefit of those who have no memory of life before Chip And Pin, was a sort of credit card that designated itself 'Your Flexible Friend', and had previously been best known through a long-running animated campaign in which Access was seen to constantly chide 'Money' (a shapeless blue pound sign) for being unable to afford consumer items it did not have the requisite funds to purchase. At the end of the eighties this was replaced by a new series of ads in which comical 'miming' types found themselves in hilarious cash-depleted situations to the tune of Louis Jordan's Is You Is Or Is You Ain't My Baby? (example: "my restaurant bill caused frustration, I couldn't pay for my crustacean, flexibility, mon plastique ici, does you does or does you don't take Access?"), with 'air piano' provided by animated inanimate objects.



In a belated attempt to cash in on the 'If You See Sid, Tell Him' British Gas ads, Danepak's great idea for promoting their frozen wares as the nineties loomed was with an unfolding mystery that ended up never unfolding, concerning one 'Herbert The Turbot'. The initial ads featured extremely short clips of 'salt of the Earth' types being interviewed about some unseen Kray Twins-type figure who was always good to his mother and that, but who was presumably also wanted for questioning in connection with the loveable roguish murder of Jack 'The Hat' Birdseye. As if to reinforce the overall 'gentleman's thuggish bastard' comedy-menacing tone of the ads, they concluded with 'Herbert The Turbot' being said in a 'comedy' sub-Geordie voice. Thankfully, it never progressed any further than those initial ads.


Sadly not on YouTube, and similarly doomed to failure after one outing, was McVities' high concept campaign to push the bafflingly over-eulogised biscuit ever The Hobnob, capitalising on its thoroughly unwarranted cult status with a dash of vogueish proto-Mr Bean 'comedy of haplessness'. The inaugural ad presented the tale of some unasumming spectacled bloke who failed his driving test by sounding the horn after waiting twenty minutes for the examiner to appear, only to be told that he had broken the Highway Code by doing so. This was neither funny nor strictly logistically accurate, but the narrator still saw fit to award him The Order Of The McVitie's HobNob, which appeared to be a biscuit attached to a medal ribbon, mounted on a silk cushion. Doubtless there were grand plans for some sort of multimedia experience with real life eater-nominated awards, but pleasingly after just one advert it failed just as spectacularly as that bloke failed his driving test.



Resembling nothing less than Blue Remembered Hills gone berzerk on exposure to 'E Numbers, here Golden Wonder were presumably attempting to cash in on the popularity of Walker's Crisps' vastly superior 'Tank' adverts by replacing the comedy schoolboys with fully grown men dressed as comedy schoolboys, notably one played by Roger Walker (in a sort of fame vacuum between being the Roger in 'Rod, Jane &' on Rainbow and Bunny Charlson on Eldorado), who bombed around a schoolroom set intent on swapping a ball of string for a bag of treasured potato snacks.



And finally, it's back to Toshiba for some twaddle with a not-at-all fetishised Japanese factory girl singing a Wartime Morale-raiser-adapted ditty about how she who makes the thing that holds the oil that turns the spring that makes the thingummybob etc etc whilst a sort of panto Anthony Ainley (so, Anthony Ainley then) camps it up on multiple televisions in the background. Yes, your technology was very progressive. But only your technology. But what's unbelievable about that, Tank?




If you've enjoyed this article, you can find lots more about stuff you just don't see on television any more in Not On Your Telly, which is available in paperback here or from the Kindle Store here.